The painting was painted in 1918. Vasnetsov enters everyone’s life from early childhood with his epic paintings and accompanies us throughout his life. The epic about the battle of Dobrynya became the basis of the plot of the picture. It tells how Dobrynya defeated the serpent and let it go, taking his word from him that he would no longer take away innocent Christians.
This painting was painted in 1953. Therefore, we can safely say that Willem de Kooning is our contemporary. The artist has six paintings from a series about women. And the picture Woman 3 is one of these six works. This model became a very famous painting. The writer was very interested in painting portraits, he was absorbed in just such works.
Vasily Grigorievich Perov - a famous Russian artist. He made a great contribution to painting. His works include the painting "Old Parents at the Tomb of the Son", written in 1874. Perov has traveled to many countries during his life, but most of all he was attracted to France, which later became his second home.
The great artist with many writing styles did not try to write in his works in the established framework of the standard, laying out all the details on the shelves. At each creative stage of the artist, during his formation as a surrealist, Muse was present, which inspired the creation of new interesting masterpieces.
Rembrandt wrote the elderly with hardly the greatest pleasure. The past life seemed to him something that leaves an indelible mark on a person, according to which, with a certain talent, one can read it as if it were an open book. He wrote both young people and children, but the old people were always the best sitters for him.
In his work, Paul Cezanne paid great attention to such a genre as a still life. The master especially loved to transfer fruits to his canvases. He clearly thinks through the composition of the paintings, determining each of the objects in their proper place. More often than other fruits, Cezanne loved to write apples because of their beauty and variety of colors.
