New York: The Metropolitan Museum of Art is having a year-long exhibition on Ramayana

The collection features 29 paintings and three textiles from the 17th to 19th century that dramatically unfold the epic, Ramayana
New York The Metropolitan Museum of Art has a Ramayana exhibition
(Left) The Death of King Dasharatha, the Father of Rama: Folio from a Ramayana Islamic, Mughal period (1526–1858), ca. 1605 Opaque watercolour and gold on paper. The Metropolitan Museum of Art, Cynthia Hazen Polsky and Leon B. Polsky Fund, 2002. (Right) Rama, Sita, and Lakshmana Begin Their Life in the Forest India, Punjab Hills, kingdom of Kangra, ca. 1800–1810 Opaque watercolour, gold and silver on paper. Promised Gift of the Kronos Collections, 2015

The New York-based Metropolitan Museum of Art's ongoing exhibition titled ‘Sita and Rama: The Ramayana in Indian Painting' displays one of the epic narratives of South-Asian Literature through a collection of paintings. These have been made by court artists from the 17th and 19th centuries for the Rajput and Pahari courts of north India. A few textiles from different parts of India are also part of the exhibition.

Rama and Sita Enthroned India, Rajasthan, kingdom of Bikaner, ca. 1650. Opaque watercolor and gold on paper. Promised Gift of the Kronos Collections, 2015

The Met, New York | The Story of Ramayana

The 2,500-year-old text narrates the story of Rama, the Prince of Ayodhya, whose wife Sita was abducted by the King of Lanka, Ravana. Rama, aided by his brother Lakshmana and ally Hanuman, gathered an army of monkeys and bears to confront Ravana and ultimately rescue Sita. The artworks are on display from August 10, 2019 to February 23, 2020, and again from February 27, 2020 to August 23, 2020, making it a year-long exhibition.

The Monkey Prince Angada Steals Ravana's Crown: Folio from the dispersed Shangri Ramayana series (Style III) India, Punjab Hills, kingdom of Jammu (Bahu), ca. 1700 30 Opaque watercolor on paper. Promised Gift of the Kronos Collections, 2015

The Met, New York | Visual Poetry

The chosen artworks offer strong visual illustrations of this Sanskrit epic and encompass its various facets effectively through two mediums. “Some of the textiles are huge, and the massive scale suggests that they were meant to be seen by large audiences. In contrast, the paintings would have been viewed by individuals or small groups. In this sense, the paintings often show a single event and relate closely to the text of the Ramayana. The textiles present major characters and climatic moments such as the final battle between Rama and Ravana. Together these two media work well to beautifully tell the story and to emphasise the diversity of the Indian painting and textile traditions,” shares Kurt Behrendt, Associate Curator in the Department of Asian Art at the Met, who has organised this exhibition.

Rama Receives Sugriva and Jambavat, the Monkey and Bear Kings: Folio from a Ramayana Islamic, Mughal period (1526 1858), ca. 1605 Ink, opaque watercolour, and gold on paper.The Metropolitan Museum of Art, Cynthia Hazen Polsky and Leon B. Polsky Fund, 2002

The Met, New York | Exhibition Highlights

The highlights of the first rotation contain four works from the Shangri manuscript and three pages of a Mughal manuscript.

The Combat of Rama and Ravana India, Coromandel Coast, late 18th century Painted and mordant-dyed cotton.The Metropolitan Museum of Art, Purchase, Friends of Asian Art Gifts, 2008

Two 18th century textiles are on display in the first rotation—a textile from the Coromandel Coast in South-East Asia depicting the final battle between Rama and Ravana and an embroidered Rumal from Chamba that showcases the complete story of Ramayana with scenes from the entire epic.

Rumal with Scenes from the Ramayana India, Jammu and Kashmir, Chamba, 18th century Cotton with silk, tinsel, and metal embroidery. The Metropolitan Museum of Art, Rogers Fund, 1931

The highlights of the second rotation feature four paintings by the artist Manaku that depict the siege of Lanka. It will also feature a painted textile made by Rajasthani artists that focuses on Hanuman, titled ‘Hanuman Bearing the Mountaintop with Medicinal Herbs'.

Hanuman Bearing the Mountaintop with Medicinal Herbs India, Rajasthan, ca. 1800.Ink and opaque watercolour on cloth. The Metropolitan Museum of Art, Gift of Edward M. Bratter, 1957

Another 18th century painting titled, ‘Hanuman in his Tantric Five-Headed Pancha Mukha' is a gift from Steven Kossak and a new addition to the Met collection. It is being displayed publicly for the first time.

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