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S E A R C H D V D B e a v e r |
The Warner Gangsters Collection
directed by William A. Wellman, Michael Curtiz, Mervyn LeRoy,
Archie Mayo,
and Raoul Walsh
USA 1930 -
1949
Angels with Dirty Faces Little Caesar The Petrified Forest The Public Enemy The Roaring Twenties White Heat
The ULTIMATE Gangsters Collection Classics are on
Blu-ray HERE
The Roaring Twenties is on
4K UHD reviewed HEREout of
DVD Review: Warner Home Video Boxset - Region 1 - NTSC
NOTE: Warner Gangsters Collection, Vol. 2 appears to be exactly the same content as Warner Bros. Pictures - Tough Guys Collection released June 6th, 2006 (and reviewed HERE)
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Distribution | Warner - Region 1 - NTSC |
Audio | English (Dolby Digital 2.0 Mono) |
Subtitles | English, Spanish, French, None |
Features |
Release Information: Aspect
Ratio: Edition Details: •
The Roaring Twenties |
Comments: |
The ULTIMATE Gangsters Collection Classics are on Blu-ray HERE
Each individual release here is strong with good transfers, original mono audio and all have commentaries, featurettes and more. Now I wasn't too bad at math - let's see - Boxset - $48.24 USD - each individual release $14.98 USD X 6 = $89.88 USD - getting close to double - certainly you'll get almost 3 releases for free by buying the Box as opposed to individually... and we strongly recommend the Boxset!
Warner's propriety transfer process is standing them in excellent stead (not only for Technicolor - process that begins with scanning the original black and white 'records' at extremely high (2k) resolution.). They have the catalogue of films and should sell a ridiculous number of these boxsets alone.
'Classic' might be the appropriate word here, with 5 of the six films being made in the 30's. Mostly James Cagney offerings, plus early Bogie, Edward G. Robinson and Bette Davis. My personal favorites include The Petrified Forest and Little Caesar, but ALL of these films have something to offer. White Heat looked especially amazing to me, and Little Caesar showed some wear and tear with occasional scratches. I'll probably go into greater detail on the extensive extras when I have more time. Truly this is a Boxset that all film fans should own... easy Feature DVD of the Month.
Great job Warner ! out of |
Recommended Reading in Film Noir (CLICK COVERS or TITLES for more information)
Film Noir: An Encyclopedia Reference to the American
Style by Alain Silver, Elizabeth Ward |
The Dark Side of the Screen: Film Noir by Foster Hirsch |
Somewhere in the Night: Film Noir and the American City by Nicholas Christopher |
Film Noir Reader 4 : The Crucial Films and Themes
(Film Noir Reader) by Alain Silver |
The Art of Noir: The Posters and Graphics from the
Classic Era of Film Noir by Eddie Muller |
The Little Black and White Book of Film Noir:
Quotations from Films of the 40's and 50's by Peg Thompson, Saeko Usukawa |
Film Noir by Alain Silver |
Film Noir Guide: 745 Films of the Classic Era,
1940-1959 by Michael F. Keaney |
(aka 'Battle of City Hall')
directed by Michael Curtiz
USA 1938
Theatrical Release: November 24th, 1938 - USA
Angels With Dirty Faces (1938) is a
classic example of a Warner Bros. gangster/crime melodrama of the 1930s - a
slick, action-packed, hard-hitting studio film layered with a touch of social
conscience. Director Michael Curtiz blended the irresistible story with a great,
tough cast of marvelous characters, especially James Cagney and Pat O'Brien as
its two stars, along with gritty locales and the street-wise "Dead End" Kids
(from their appearance in the 1935 play and the film Dead End (1937)).
The saga is the story of two childhood buddies from New York City slums on the
Lower East Side in the 1920s: "Rocky" Sullivan (Frankie Burke as youth, James
Cagney as adult), and Jerry Connolly (William Tracy as youth, Pat O'Brien as
adult). The story of two kids on the opposite side of the law was a popular
theme in other 30s films, such as Manhattan Melodrama (1934) and Dead End
(1937).
Excerpt of Tim Dirks review located HERE on The Greatest Films.org
out of
Posters
Reviews More Reviews DVD Reviews
Cover and Individual purchase link
(DVDBeaver strongly suggests buying the entire Boxset at $48.24 USD since each individual release $14.98 USD X 6 = $89.88 USD - getting close to double - certainly you'll get almost 3 releases for free by buying the Box.) |
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CLICK logo to order the whole Boxset! |
Runtime | 1:37:12 |
Video |
1.33:1
Aspect Ratio Chapters : 23 |
Bitrate:
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Subtitle Sample
Screen Captures
directed by Mervyn LeRoy
USA 1931
Theatrical Release: January 9th, 1931 - USA
One of the most well-known and best of the
early classical gangster films is Warner Bros.' and director Mervyn LeRoy's
Little Caesar (1930). It is often called the grandfather of the modern crime
film, with its quintessential portrayal of an underworld character that
rebelliously challenged traditional values. Although it was not the first
gangster film of the talkies era (that honor went to Lights of New York (1928)),
it is generally considered the prototype of future gangster films.
It is a taut, fast-moving (at a brisk 80 minutes) and vivid film that set the
genre's standards and launched the entire popular film type. This early, seminal
gangster film, that opened in New York near the end of 1930, arrived around the
same time as a few other prison-crime films, such as MGM's quintessential The
Big House (1930) with Wallace Beery, LeRoy's own Numbered Men (1930) and
I Am a Fugitive From a Chain Gang (1932), Howard Hawks' The Criminal
Code (1931), and The Last Mile (1932).
Little Caesar reflects the technically primitive nature of early
film-making, with a straight-forward, blunt narrative (composed of a series of
tableaux), yet its hard-hitting gritty realism gripped audiences. Unlike many
other gangster films, the film did not feature graphic bloodshed, depict
violence on-screen, or sensationalize street language, but its tone was somber
and tough. Its low-budget sets and cheap, sleazy atmosphere added to the film's
impact. The film's rich black-and-white cinematography was provided by Tony
Gaudio. W. R. Burnett, the author of the novel on which the film's screenplay
(by Francis Faragoh and Robert N. Lee) was based, was also co-scriptwriter of
Scarface (1932).
Excerpt of Tim Dirks review located HERE on The Greatest Films.org
out of
Posters
Reviews More Reviews DVD Reviews
Cover and Individual purchase link
(DVDBeaver strongly suggests buying the entire Boxset at $48.24 USD since each individual release $14.98 USD X 6 = $89.88 USD - getting close to double - certainly you'll get almost 3 releases for free by buying the Box.) |
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|
CLICK logo to order the whole Boxset! |
Runtime | 1:18:21 |
Video |
1.33:1
Aspect Ratio Chapters : 22 |
Bitrate:
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Subtitle Sample
Screen Captures
directed by Archie Mayo
USA 1936
Theatrical Release: February 6th, 1936 - USA
Humphrey Bogart plays gangster Duke Mantee - his first of such roles. Leslie Howard and a young Bette Davis also fill the marquee. Definitely an unlikely gangster film as it is noteworthy for its social commentary on greed, wealth, position, art and love. The action sequences mark the very end of the film and we even get a glimpse of poignant contrast between its two black characters. An unusual and worthy film from 30's.
out of
Posters
Reviews More Reviews DVD Reviews
Cover and Individual purchase link
(DVDBeaver strongly suggests buying the entire Boxset at $48.24 USD since each individual release $14.98 USD X 6 = $89.88 USD - getting close to double - certainly you'll get almost 3 releases for free by buying the Box.) |
|
|
CLICK logo to order the whole Boxset! |
Runtime | 1:22:12 |
Video |
1.33:1
Aspect Ratio Chapters : 23 |
Bitrate:
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Subtitle Sample
Screen Captures
(aka 'Beer and Blood' or 'Enemies of the Public')
directed by William A. Wellman
USA 1931
Theatrical Release: April 23rd, 1931 - USA
The Public Enemy (1931) is one of the
earliest and best of the gangster films from Warner Bros. in the thirties. The
film's screenplay (by John Bright and Kubec Glasmon), which received the film's
only Academy Award nomination, was based upon their novel Beer and Blood.
Unfortunately, the film wasn't even given a Best Picture nomination, nor was
Cagney rewarded with a nomination for his dynamic and kinetic performance. Jean
Harlow's small role as a sexy call-girl was her only screen appearance with
Cagney and her only lead role with Warners.
Director William Wellman's pre-code, box-office smash, shot in less than a month
at a cost of approximately $151,000, was released at approximately the same time
as another classical gangster film - Little Caesar (1930) that starred Edward G.
Robinson as a petty thief whose criminal ambitions led to his inevitable
downfall. The Public Enemy was even tougher, more violent and realistic
(released before the censorship codes were strictly enforced), although most of
the violence is again off-screen.
The lead character is portrayed as a sexually magnetic, cocky, completely
amoral, emotionally brutal, ruthless, and terribly lethal individual. However,
the protagonist (a cold-blooded, tough-as-nails racketeer and "public enemy")
begins his life, not as a hardened criminal, but as a young mischievous boy in
pre-Prohibition city streets, whose early environment clearly contributes to the
evolving development of his life of adult crime and his inevitable gruesome
death. Unlike other films, this one examined the social forces and roots of
crime in a serious way.
Cagney's character was based on real-life Chicago gangster Earl "Hymie" Weiss
(who also survived a machine-gun ambush) and bootlegging mobster Charles Dion "Deanie"
O'Banion (an arch-rival to Al Capone). Reportedly, an exasperated Weiss slammed
an omelette (not a grapefruit) into the face of his girlfriend. Similarities
also exist between the demise of Nails Nathan and the 1923 death of real-life
Samuel J. "Nails" Morton of the O'Banion mob. The retaliatory horse killing in
the film was a replay of a similar incident when organized crime figure Louis
"Two-Gun" Alterie (and other North Side gang members) executed the offending
horse in Chicago after the death of their friend.
Excerpt of Tim Dirks review located HERE on The Greatest Films.org
out of
Posters
Reviews More Reviews DVD Reviews
Cover and Individual purchase link
(DVDBeaver strongly suggests buying the entire Boxset at $48.24 USD since each individual release $14.98 USD X 6 = $89.88 USD - getting close to double - certainly you'll get almost 3 releases for free by buying the Box.) |
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|
CLICK logo to order the whole Boxset! |
Runtime | 1:23:54 |
Video |
1.33:1
Aspect Ratio Chapters : 23 |
Bitrate:
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Subtitle Sample
Screen Captures
(aka 'The World Moves On')
directed by Raoul Walsh
USA 1939
The Roaring Twenties is on 4K UHD reviewed HERE
Theatrical Release: October 23rd, 1939
The Roaring Twenties (1939) is action director
Raoul Walsh's first gangster film (and first film for Warner Bros.). [Walsh
replaced director Anatole Litvak at the last minute.] This newsreel-like,
semi-documentary, authentic-looking film, with both hard-hitting gangster genre
action and romantic sentiment, shares a lot of similarities and is reminiscent
of the greatest gangster films of the 30s, including Little Caesar (1930),
Scarface: The Shame of the Nation (1932), and Public Enemy (1931). All of these
films portray bootlegging, numerous murders, gangster life, and the death of the
hero at the conclusion.
At the end of the thirties, Walsh's 'social history' film eulogizes and
recreates the entire Jazz Age decade, Prohibition and its repeal (including the
process of manufacturing bathtub gin), and the Depression era (through the mid
1930s) with an expansive, eulogistic perspective within an historical framework.
However, the protagonist is portrayed as a reluctant victim of social and
environmental conditions during the time period - as a returning WWI doughboy to
a 1918 America of unemployment, he is lured to a corruptible life as a
small-time hood after being denied his old job and after taking advantage of
poorly-conceived government laws. Then, as a struggling taxi-cab driver after a
change of fortune during the Depression, he becomes a poverty-stricken,
alcoholic "forgotten man" in the 30s.
Excerpt of Tim Dirks review located HERE on The Greatest Films.org
out of
Posters
Reviews More Reviews DVD Reviews
Cover and Individual purchase link (DVDBeaver strongly suggests buying the entire Boxset at $48.24 USD since each individual release $14.98 USD X 6 = $89.88 USD - getting close to double - certainly you'll get almost 3 releases for free by buying the Box.) |
|
|
CLICK logo to order the whole Boxset! |
Runtime | 1:46:28 |
Video |
1.33:1
Aspect Ratio Chapters : 24 |
Bitrate:
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Subtitle Sample
Screen Captures
directed by Raoul Walsh
USA 1949
Theatrical Release: September 2nd, 1949 (New York City, New York)
White Heat (1949) is one of the top classic
crime-heist dramas of the post-war period, and one of the last of Warner Bros'
gritty crime films in its era. White Heat is an entertaining, fascinating and
hypnotic portrait of a flamboyant, mother-dominated and fixated, epileptic and
psychotic killer, who often spouts crude bits of humor. The dynamic film, with
both film noir and documentary-style elements, is characterized by an increased
level of violence and brutality along with classical Greek elements.
The film's screenplay by Ivan Goff and Ben Roberts was suggested by a story of
the same name by Virginia Kellogg. She received an Academy Award nomination for
Best Story - the film's only nomination. [Kellogg's next film was the brutal
prison drama Caged (1950) set in a women's institution.] The crooked,
cold-blooded, and warped gangster has many personality and psychological flaws,
but is tragically and ultimately betrayed by the stupidity of his closest
accomplices (a right-hand man gang member and even his criminal mother when she
purchases strawberries), and by his trusted cell-mate/friend who is actually an
undercover cop. [The film was inspired by the real-life gangster Arthur "Doc"
and his mother Ma Barker, from a suggestion by star Cagney himself to the
writers.]
Excerpt of Tim Dirks review located HERE on The Greatyest Films.org
out of
Posters
Reviews More Reviews DVD Reviews
Cover and Individual purchase link
(DVDBeaver strongly suggests buying the entire Boxset at $48.24 USD since each individual release $14.98 USD X 6 = $89.88 USD - getting close to double - certainly you'll get almost 3 releases for free by buying the Box.) |
|
|
CLICK logo to order the whole Boxset! |
Runtime | 1:53:16 |
Video |
1.33:1
Aspect Ratio Chapters : 33 |
Bitrate:
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
|
Subtitle Sample
Screen Captures
NOTE: Warner Gangsters Collection, Vol. 2 appears to be exactly the same content as Warner Bros. Pictures - Tough Guys Collection released June 6th, 2006 (and reviewed HERE)
|
Recommended Reading in Film Noir (CLICK COVERS or TITLES for more information)
The Dark Side of the Screen: Film Noir by Foster Hirsch |
Somewhere in the Night: Film Noir and the American City by Nicholas Christopher |
Shades of Noir: A Reader by Joan Copjec |
The Art of Noir: The Posters and Graphics from the
Classic Era of Film Noir by Eddie Muller |
The Little Black and White Book of Film Noir:
Quotations from Films of the 40's and 50's by Peg Thompson, Saeko Usukawa |
Film Noir by Alain Silver |
Film Noir Guide: 745 Films of the Classic Era,
1940-1959 by Michael F. Keaney |
Detours and Lost Highways: A Map of Neo-Noir by Foster Hirsch |
Search DVDBeaver |
S E A R C H D V D B e a v e r |
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